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Ford & Edison vs the Jewish Mafia By Mike King
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We "baby boomers" who grew up in the 60s & 70s were taught at an early age to revere auto manufacturing pioneer Henry Ford (1863-1947) and his close friend, the prolific inventor Thomas Edison (1847-1931) as great American originals whose work improved living conditions for all of us. Over the course of just the past 25 years or so, however, the names of both of these legends have been badly tarnished --- Ford for being a "virulent anti-Semite," and Edison for just being an all around bad guy who "stole" his inventions from others (he didn't), electrocuted an elephant as a publicity stunt (he didn't) and mistreated Nikola Tesla (he didn't)..It's a darn shame. To what little extent young people are even taught about Ford & Edison anymore, their enormous contributions to the betterment of life are now being downplayed while their "vices" are emphasized. It took "the usual suspects" a long time to stain their great names -- but sooner or later, these vindictive demons always get their man in the end, even if he's been long dead.
HENRY FORD.
At a time when only the wealthy could afford the first automobiles, Ford's 1913 innovation and implementation of the moving "assembly line" reduced the time it took to build a car from 12 hours to just 90 minutes. Ford was determined to build “motor cars for the multitude." He said: "When I’m through,” everybody will have one.” .Disgusted by World War I, and well aware of (((who))) had engineered that horrible tragedy, Ford later used his name and fortune for pro-American activism. He had read "The Protocols of the Learned Elders of Zion" and stated that whether the documents were authentic or not, the global Jewish conspiracy described in the Protocols "fits the world situation." Ford's articles on the Jewish menace from his Dearborn Independent were later gathered in a book called "The International Jew: The World's Foremost Problem," which were distributed throughout his dealerships..After 1920s' lawsuits and boycotts initiated by the Anti-Defamation League, -- and what the New York Times itself described as "an apparent attempt to kill Henry Ford" in its issue of March 31 1927 -- the revered auto titan's position on the Jewish question suddenly "moderated." Ford got the message.
Prompted by the senseless carnage of World War I, Henry the Great used his name and fortune to expose the Jewish Mafia. Lawsuits, boycotts did not stop his activism, but a near fatal assassination attempt in March of 1927 finally silenced him. Ford "apologized" to the Jews three months after the assassination attempt.
NY Times: March 31, 1927 --- "Plot to Kill Henry Ford"
THOMAS EDISON
Unlike his buddy Henry Ford, Edison never uttered the forbidden "J Word" in reference to "the usual suspects" -- at least not in a public manner. Nevertheless, his personal war against them was just as intense.
In the late 1800s, Edison invented the Kinetograph (a motion picture camera) and the Kinetoscope (a peep-hole motion picture viewer). Motion pictures soon became a successful entertainment industry as peep holes yielded to films projected for audiences. The Edison Manufacturing Co. built the apparatus for filming and projecting "movies" and also produced films for the public.
In 1908, Edison joined with nine other film companies to form the Motion Picture Patents Company. Edison and these internally competing associates understood the potential power of this new medium, and resolved to make only movies that promoted Christian, and American values. But in New York City, a group of entrepreneurial Jewish immigrants soon began using Edison’s inventions to produce their own films, which were shown in 5-cent movie theaters ("nickelodeons") and soon spread across America. Many of these patent-violating, royalty-evading filmmakers had started out as vaudeville and burlesque promoters, and their movies tended to be sexier and more violent than the clean stuff produced by Edison.
Edison was furious that the Jews were stealing his patent and getting rich from distributing “smut” across America. Law enforcement officials were also concerned. The Chicago city council actually passed an ordinance to censor inappropriate motion pictures. In New York City, Mayor George McClellan, also concerned over the immoral bent of certain films, ordered that all of the illicit motion picture houses be closed down.
One man, Carl Laemmle (cough cough), challenged Edison's so-called "monopoly" and enlisted other Jewish film makers in the fight. Edison's war against Laemmle and friends was not only a war of litigation, but an actual physical war, with violence! The following excerpt -- a real eye-opener into forgotten history -- is from a 2010 article titled: 7 Ways the Mafia Made the U.S. a Better Place," by historian Thaddeus Russell -- who is sympathetic to the Jews and gangsters in general:
"Beginning in 1910, the Trust (Edison) commenced a scorched-earth legal campaign meant to make an example of Laemmle. Over three years, their lawyers would sue him 289 times.
The inventor and his colleagues hired squads of thugs to shut them down. They seized film, beat up directors and actors, forced audiences out of theaters, and smashed the nickelodeon arcades. But fortunately for the Jewish renegades, they lived and operated in neighborhoods where hundreds of soldiers stood ready and able to protect them – men like “Big” Jack Zelig, “Lefty Louie” Rosenberg, “Gyp the Blood” Horowitz, Joe “The Greaser” Rosenzweig, and the leaders of the notorious Yiddish Black Hand, Jacob “Johnny” Levinsky and “Charley the Cripple” Vitoffsky. There were even women ready for the fight – fierce, well-armed “gun-mols” like Bessie London, Tillie Finkelstein, Birdie Pomerantz, and Jennie “The Factory” Morris.
Cameras, projectors, film, and sound equipment disappeared from the storerooms of Edison companies and showed up on makeshift movie lots on the Lower East Side. Bullets rained down on the Trust’s enforcers from the rooftops of nickelodeons. And massive fires destroyed the Edison distributors’ warehouses in the Bronx, Philadelphia, and Chicago. By 1915 the Trust had disbanded and the outlaw filmmakers moved west, where they could make bigger and better movies.
Who were the men who, with the help of their nicknamed friends, fought Thomas Edison and the law and won? They were Marcus Loew of Loews Theatres and Metro-Goldwyn-Mayer, Carl Laemmle of Universal Pictures, Adolph Zukor of Paramount Pictures, William Fox of Twentieth-Century Fox, and the brothers Harry, Albert, Sam, and Jack Warner." (emphasis added)
**********There it is, boys and girls. A bunch of vicious Jewish gangsters (who made the Sicilian Mafia seem like babies) served as the protective muscle behind a bunch of thieving renegade Jewish filmmakers in their war against Edison. Messrs. Laemmle, Loew, Goldwyn, Meyer, Zukor, Fox and the Warner Brothers then took their stolen technology and ran off to California to set up Hollywood, which 'The Tribe" has owned ever since.
The recent effort to stain the great historical names of Ford and Edison -- who both openly supported the election of the much maligned "America First" president Warren Harding in 1920 -- suddenly makes a whole lot more sense now, doesn't it?
Unlike his buddy Henry Ford, Edison never uttered the forbidden "J Word" in reference to "the usual suspects" -- at least not in a public manner. Nevertheless, his personal war against them was just as intense.
In the late 1800s, Edison invented the Kinetograph (a motion picture camera) and the Kinetoscope (a peep-hole motion picture viewer). Motion pictures soon became a successful entertainment industry as peep holes yielded to films projected for audiences. The Edison Manufacturing Co. built the apparatus for filming and projecting "movies" and also produced films for the public.
In 1908, Edison joined with nine other film companies to form the Motion Picture Patents Company. Edison and these internally competing associates understood the potential power of this new medium, and resolved to make only movies that promoted Christian, and American values. But in New York City, a group of entrepreneurial Jewish immigrants soon began using Edison’s inventions to produce their own films, which were shown in 5-cent movie theaters ("nickelodeons") and soon spread across America. Many of these patent-violating, royalty-evading filmmakers had started out as vaudeville and burlesque promoters, and their movies tended to be sexier and more violent than the clean stuff produced by Edison.
Edison was furious that the Jews were stealing his patent and getting rich from distributing “smut” across America. Law enforcement officials were also concerned. The Chicago city council actually passed an ordinance to censor inappropriate motion pictures. In New York City, Mayor George McClellan, also concerned over the immoral bent of certain films, ordered that all of the illicit motion picture houses be closed down.
One man, Carl Laemmle (cough cough), challenged Edison's so-called "monopoly" and enlisted other Jewish film makers in the fight. Edison's war against Laemmle and friends was not only a war of litigation, but an actual physical war, with violence! The following excerpt -- a real eye-opener into forgotten history -- is from a 2010 article titled: 7 Ways the Mafia Made the U.S. a Better Place," by historian Thaddeus Russell -- who is sympathetic to the Jews and gangsters in general:
"Beginning in 1910, the Trust (Edison) commenced a scorched-earth legal campaign meant to make an example of Laemmle. Over three years, their lawyers would sue him 289 times.
The inventor and his colleagues hired squads of thugs to shut them down. They seized film, beat up directors and actors, forced audiences out of theaters, and smashed the nickelodeon arcades. But fortunately for the Jewish renegades, they lived and operated in neighborhoods where hundreds of soldiers stood ready and able to protect them – men like “Big” Jack Zelig, “Lefty Louie” Rosenberg, “Gyp the Blood” Horowitz, Joe “The Greaser” Rosenzweig, and the leaders of the notorious Yiddish Black Hand, Jacob “Johnny” Levinsky and “Charley the Cripple” Vitoffsky. There were even women ready for the fight – fierce, well-armed “gun-mols” like Bessie London, Tillie Finkelstein, Birdie Pomerantz, and Jennie “The Factory” Morris.
Cameras, projectors, film, and sound equipment disappeared from the storerooms of Edison companies and showed up on makeshift movie lots on the Lower East Side. Bullets rained down on the Trust’s enforcers from the rooftops of nickelodeons. And massive fires destroyed the Edison distributors’ warehouses in the Bronx, Philadelphia, and Chicago. By 1915 the Trust had disbanded and the outlaw filmmakers moved west, where they could make bigger and better movies.
Who were the men who, with the help of their nicknamed friends, fought Thomas Edison and the law and won? They were Marcus Loew of Loews Theatres and Metro-Goldwyn-Mayer, Carl Laemmle of Universal Pictures, Adolph Zukor of Paramount Pictures, William Fox of Twentieth-Century Fox, and the brothers Harry, Albert, Sam, and Jack Warner." (emphasis added)
**********There it is, boys and girls. A bunch of vicious Jewish gangsters (who made the Sicilian Mafia seem like babies) served as the protective muscle behind a bunch of thieving renegade Jewish filmmakers in their war against Edison. Messrs. Laemmle, Loew, Goldwyn, Meyer, Zukor, Fox and the Warner Brothers then took their stolen technology and ran off to California to set up Hollywood, which 'The Tribe" has owned ever since.
The recent effort to stain the great historical names of Ford and Edison -- who both openly supported the election of the much maligned "America First" president Warren Harding in 1920 -- suddenly makes a whole lot more sense now, doesn't it?
Edison's war against the Jews who ignored his patents and founded Hollywood has largely been erased from history. // Ringleader Laemmle's "IMP" (Independent Moving Pictures) featured a horned devil in the logo. The word "imp" is defined as a small mischievous demon (Laemmle was just 5'2"). IMP was the forerunner of Universal Pictures.
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