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The day after his liberation from Dachau, Brian Stonehouse began sketching the death camp, including the crematory where bodies had been incinerated
NY Times: He Survived Dachau. He Captured Its Horrors on Paper the Next Day.
When Brian Stonehouse, a British spy posing as an artist, was freed from the concentration camp, he made drawings to document what he had witnessed.

Rebuttal by

Being under control of White Hat Productions doesn't mean that "the paper of record" is suddenly going to tell the truth, the whole truth and nothing but the truth about anything and everything. It doesn't work that way. So, in order to maintain "street cred" among its following, tales of woe related to The Song That Never Ends about the event that never happened continue to pop up from time to time, like one of those creatures from an arcade game of "Whack-a-Mole." Let's hammer this latest mendacious mole back into his subterranean lair. ** NY Times: When Brian Stonehouse was 24, he parachuted into France as part of a British military unit that was set up to work with the French Resistance. Analysis: So, the "witness" here was a British spy. Red flag already! . NY Times: He posed as an artist, and indeed had been educated as one before his induction into the British army. Now, though, his artist’s paint box concealed a clandestine radio transmitter and a cyanide tablet he could swallow if captured.Analysis: Wow. Mr. Stonehouse is really a cloak & dagger sort of bloke, isn't he? .NY Times: But only a few months into his mission, the Nazis tracked Stonehouse down and sent him to a series of concentration camps. In April 1945, he was in Dachau... when the camp was liberated by American forces. Analysis: British military intel asset, freed from Dachau and none the worse for wear. Seems like the Germans treated him much better than the ALL LIES treated (murdered) German POWs. Hmmmm, I wonder what he'll have to say -- or rather, draw -- about "zee Nazis." . NY Times: The next day, Stonehouse, using charcoal on paper, sat down and sketched the horrors he had witnessed...Analysis: Hip waders and anti-stink masks on, boys and girls. Here it comes!
Agent Stonehouse --- may I ask how the bloody hell did "zee Nazis" ever allow you to witness the inside of their homicidal "gas chamber" at Dachau?
  • NY Times: .... including the mortuary, the crematory and the gas chambers.
  • Analysis: Stop right there! You're so busted! Even the High Priests of Holocaustianty have long since openly declared that, although "unspeakable horrors" were committed at Dachau (false) -- there were no "gas chamber" killings there --- only at Bullschwitz (which is also a lie). The official dogma now claims that although a "gas chamber" had been built at Dachau, it was never actually used. (WTF?) --- From Yad Vashem (Israel): "In Dachau there was no mass extermination program with poison gas."
  • .
  • NY Times: Four of Stonehouse’s images depicting the machinery of death and its victims will be exhibited and offered for sale this month by Abbott and Holder, a London gallery, at an art fair on the Upper East Side of Manhattan.
  • Analysis: "The machinery of death" --- oh, the bloody drama! Never allow the truth -- even a truth finally conceded by the Holohoaxianity Priesthood at Yad Veshem -- to preclude the possibility of a good "cha ching, cha ching!" (for youse under 35ers, that was the sound of an old school cash register opening up).
  • .
  • NY Times: Kyra Schuster, lead acquisitions curator at the United States Holocaust Memorial Museum, ,...
  • Analysis: "Lead acquisitions curator," eh? Say, Kyra ... I have an original can of Zyklon-B bug spray from Bullschwitz. How much you gimme gimme gimme for it?
  • .
  • NY Times: ...said that, while many G.I.’s and war correspondents photographed the atrocities at Dachau, drawings by survivors are rare.
  • Analysis: "Rare," eh? Ah, show us the shekels, Kyra -- show us the shekels.
  • .
  • NY Times: “You can’t not be moved by these images,” she said of Stonehouse’s drawings.
  • Analysis: Oh, I was "moved" by these devious dung droppings all right -- as in "moved" to hereby passionately debunk the bullshit narratives depicted in them.
  • .
  • NY Times: The museum has a large collection of artworks made by Nazi camp inmates. “People are often surprised that artists were able to make pictures in the camps,” Schuster added.
  • Analysis: Of course "people are surprised." Were "zee Nazis" running an "extermination camp" or a frickin' art school? Say, Ms. Schuster (cough cough) --- ya really wanna know what's "surprising" about Dachau? How the frickety frack did 7 Jewish women give birth to and care for 7 Jewish babies in 1945 -- during the final months of the war?
  • .
  • Just askin' questions, that all.
Seriously now -- Can I get a "WTF" here?
1 & 2. Someone ought to explain to Corpulent Kyra that the sign above the "Gas Chamber" at Dachau (Brausebad) is German for "Shower Room." // 3. The happy and seemingly well-fed Dachau prisoners just after their liberation contradict the charcoal drawings of Agent Brian Stonehouse.
Boobus Americanus 1: I read in today's New York Times today about an exhibit featuring the charcoal drawings of a British spy who had been interned at Dachau. .Boobus Americanus 2: Holocaust --- bad. . Sugar: Holohoax --- liess! . Editor: I'm afraid that we still might be about 10-12 years away from this lie finally dying on the vine -- or least reaching the day when nobody gives a shit about it anymore.
1-time tip for the writer
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